Ancient Egypt
Elements of its Cultural History

  by Sjef Willockx

 
 


An outline of ancient Egyptian religion


The philosophical foundation
The religion of the ancient Egyptians was based on a world view that differed considerably from ours. It was essentially a primitive world view - "primitive" in the sense of "original", or "early". As such, it had much in common with the perspective or outlook of other (also contemporary) peoples that live closer to nature then we do. Its main points of departure are:

  • Everything that exists – gods, men, the spirits of the deceased, animals, plants and minerals, thoughts and emotions, dreams and memories – they all share the same attributes of realness, effectiveness and vulnerability. In other words: all is material.

  • All that is partakes in the same, interrelated existence. Whatever happens to one element of nature, will to some extent influence everything else. In other words: all is connected.

In the case of ancient Egypt, this general framework was supplemented with the following beliefs:

  • Before creation, all that existed was the primeval water, called Nun. Out of Nun emerged the world, including the gods: this was creation proper. But Nun did not cease to exist: it remained as the frame in which creation was set.

  • When the process of creation was finished, all that was – nature and culture, including the state and its institutions – existed in a beneficial equilibrium, in harmony. This equilibrium, this harmony was called Maat.


Maat
Maat was harmony, but also order and justice. In the mind of the ancient Egyptians, one was the other: order equaled justice equaled harmony. To advance order, was to advance justice and harmony, but also - because everything was connected - nature’s response: fertility and prosperity. So, to ensure wellbeing and happiness for all, nothing more was required then to keep things (all of society) the way it was once created. For the Egyptians, paradise not only once existed, but it remained always within reach.
Maat was however not unthreatened. Within creation, strife and falsehood were also active. So were all sorts of demons. Therefore, Maat needed active protection. To safeguard Maat was the joint responsibility of men, gods and the king – with the king taking the lead.
The way the king must shore Maat was, to act in concord with her. If he acted justly, this supported Maat, and then there would be fertility for land, beasts and men, and wellbeing for all.
The acts of a criminal contravened Maat. Dishonesty and greed were not unnatural: these matters belonged to the nature of the world as much as love and peace. But one could not allow them to prosper: "falsehood" was to be eradicated like a cancer, lest it threaten the equilibrium without which man could not even live. Consequently, to punish the criminal meant much more then simple retribution: it was a holy duty for the king and his administration.
Likewise with foreign invaders: they threatened the stability of the Egyptian state, and therefore Maat. So the king must slay all foreigners. In countless reliefs on the walls of temples, he is seen doing just this, with the gods as his witnesses. By performing this act before the gods, he showed them his worthiness as Maat's defender.


The gods
The Egyptians were a very religious people in the sense that their gods meant a great deal to them. This can e.g. be seen in the large number of theophoric names (personal names in which the name of a god is a part), such as Amenhotep: "Amun is content" or Amenemhat: "Amun leads the way". The gods were their banner, their national anthem and their national soccer team, all in one. The gods were their champions, their pride, and they reveled in their glory. Religious festivals dominated the calendar, and were celebrated with zeal. As the hymns say: "The whole land is in jubilation, when you [the god] appear in glory".
But when we study these gods, we find we have a hard time trying to grasp what exactly made them so inspiring for their followers. In fact, the more we learn, the less distinct the picture gets - until we find ourselves lost in blurred contours and an ever deepening vagueness. These gods were not so much personalities, as they were sets of attributes and epithets – and these attributes and epithets were to an unsettling degree interchangeable.
Our confusion comes from looking the wrong way. As the Egyptians had a highly developed culture, we expect their gods to resemble those of other sophisticated ancient cultures, like the Greeks. (Although, if we get a little deeper into the nature of the gods of classic Greece, we will encounter pretty much the same vagueness. Those crisp outlines of the great Greek gods were mostly the work of literary authors, such as Homer, who needed developed personalities for their plots.)

Since the gods are part of creation, rather then existing independently outside creation, they are immanent, not transcendent. They are the powers inside the natural phenomena. And as the Egyptians experienced nature primarily as a series of separate, discrete phenomena, their gods also remained essentially discrete and separate.
As powers, each had a specific domain of expression. These domains varied considerably. Some were rooted in a clear-cut natural phenomenon, such as Re who was immanent in the sun, or Hapi who was in the overflowing Nile. The domain of Ptah however was the mineral world (for which he was the patron god of craftsmen), and Heqet was a goddess associated with birth. Hathor was connected to music and love, and perhaps Isis was originally the power in the throne (AER, 6). But about the origin of some other important gods, like Osiris or Nephthys, we know next to nothing.
Over time, as a result of several processes of splitting up and merging, the domain of a god could become manifold. Thoth for instance was a god of writing and learning, but also of healing, and of the moon. Horus was a royal god (incarnate in the king), but also a god of the sky, of both the sun and the moon, and he typified the Good Son.

The outward appearance of the gods could be equally manifold. The goddess Hathor for instance could be depicted as a cow, as a woman with the head of a cow, a woman with a human head but the ears of a cow, as a woman with cow-horns and the sun disk on her head, or as the Lady of the Sycamore: a genie, bending over from a tree offering water to the deceased. But far stranger forms did also occur: a god in the form of a beetle, a snake or a centipede, gods that are depicted as humans but with an ostrich feather or a vase in place of a head: the variety was quite staggering.

Many gods displayed a firm link with a geographical entity, mostly a city. This was recognized in the Egyptian language with the common expression "city gods". But there were also Nome-gods ("province-gods"), and gods that were associated with either Upper or Lower Egypt.
The association with a locality could be so close, that this locality may seem to be the "domain" of the god. Examples are Amentet, the goddess of the West, and Meretseger, the goddess of the mountain that dominates the Valley of the Kings.
(Possibly we should regard those gods that do not seem to possess a distinct geographical connection, such as Geb, Shu, Tefnut and many more, as being linked to, and immanent in, the land of Egypt as a whole.)
Gods and places could also get mixed up in interactive jumbles: through the association of Amun (god of Thebes) with Re (god of Heliopolis), Thebes became know as "Southern Heliopolis". Sometimes, the fog gets so dense that there's simply no way out again. Horus was worshipped in two cities that were both called Behdet: one in Lower, and one in Upper Egypt. Which (if any) of the two is the "original" Behdet just can no longer be discerned.

With the very apparent exception of the Amarna-period, Egyptian religion was characterized by a remarkable tolerance. In some periods, some gods would be held in higher regard then others, but persecution, or even neglect, of other gods never occurred. Even more, gods could peacefully take over the attributes of other gods, as a token of respect, but also to benefit from the other god’s prestige. This so-called syncretism (a rather inappropriate term) leads to the formation of composite gods such as Min-Horus, Amun-Re or Re-Harachte. Yet within these compound gods, the constituent parts remain forever distinct. No matter how much attention Amun-Re received, both Amun and Re stayed very much alive as the originals, the founding-fathers of Amun-Re.

The various aspects of the Egyptian gods we have described so far, all add to the vagueness already mentioned: the multiple domains, the many shapes and names, the interchangeable epithets, the compound and split-up gods. But for the Egyptians, all of this was just the icing on the cake: a multi-colored, multi-faceted further decoration of their magnificent, awesome gods. We see only this decoration, but they experienced the gods directly from their sources: the powers of nature.
All those weird and confusing pictures of gods with animal heads were not what the Egyptians considered to be their actual shape. These depictions were just convenient identification tags, to show what god was being referred to in the accompanying texts. The true shape of the gods was that of the phenomenon that they were immanent in. In the final analysis, that shape equaled the phenomenon, which could, in its entirety, be experienced, but not depicted. All gods had one thing in common though, and this was the thing that really mattered: they were the Gods of Egypt. And Egypt was the best land in the world, with the best king, and the best people. These gods were as awesome as this king, as mighty as this people, and as beautiful and inspiring as this land. These gods were Egypt - and that is, why they meant so much to the Egyptians.


Ethics
With respect to ethics, primitive religions are very different from contemporary religions such as Christianity or Islam. Although early man certainly was aware of moral standards, he derived these standards not from the gods, but from nature (Magic, 72-75).
In the case of ancient Egypt, the ethical framework of society was further shored by the principle of Maat, or justice. Living a just and righteous life was important as a means of staying in concord with Maat - and he who was in concord with Maat could count on a good and prosperous life. (In this respect, the principle of Maat has some similarity with the Hindu concept of Karma.)


Ritual
The Egyptians knew two types of ritual:

  • Accompanying rituals: rituals to accompany a natural phenomenon, such as sowing or harvesting, or childbirth.

  • And magical rituals: rituals with the explicit goal of achieving or preventing something.

In Egypt, magic was mostly based on a perceived power of the word: either spoken or written.
Over time, accompanying rituals could be further developed by including magical elements. In this way, a ritual that originally was designed to accompany (in this case: to celebrate) the rising of the Nile at the beginning of the new year, could be supplemented with magical elements to ensure that nothing would threaten the process.
The origin of both accompanying and magical rituals lies before that of gods and myths (Magic 33-41). Later however, most rituals were supplemented with allusions to myths, to further enhance their effectiveness.


The king
The king played a key role in the Egyptian religion. The king was himself a god: he was the earthly incarnation of Horus. He was "Horus in the Palace" - as opposed to Horus in the sky. Therefore he was the only person who could approach the gods. He could even mingle with them. This is pictured over and over again in every temple of Egypt: the king offering to the gods, receiving life, health and dominion from them, and being embraced by them.


Priests
Although the gods were primarily immanent - i.e. alive inside natural phenomena - they did have some transcendent features too. They were not totally confined to their domains: they could move about, change shape, act and interact. They used this freedom a/o to descend into images that man had made to this end. These images were housed in temples, where they were accessible to man.
In theory, only the king could approach the gods. In practice though, the task of the daily ritual in the temples was mostly delegated to priests. On important occasions however, the king would no doubt perform the rites himself.

Although Egyptian culture was infused with religion, priesthood remained essentially a part time profession. Even high priests usually held other offices as well. The main body of priests - referred to as "the pure ones"- was split up into four groups (later five), called "phyles" by the Greek (Reallexikon 603). These phyles served one month in turn. So most of the time, most priests lived as lay persons.

There were also priestesses, although not as much as priests. For the most part, their function in the temple was that of singer or dancer, to brighten the god's meals. Other priestesses were part of the god's harem, although the practical consequences of this remain indistinct (Reallexikon 607). In the service of goddesses, more priestesses were present, also in leading positions. The foremost priestess of the country was the "Divine Consort of Amun".


State religion
In the large, stone temples that the state commissioned, the emphasis was on the relationship between king and gods: the warm relationship of close relatives that constantly take care of each others needs. The relentless fervor of this constantly repeated theme amounts to veritable propaganda. One should remember though, that the temples were not accessible to the general public. This propaganda was therefore not aimed at them. It was meant for the gods themselves, as an emphatic confirmation of "things as they are and should be". This would help to keep the gods content, who then would help the king to support Maat, for the wellbeing of all.


Folk religion
The common people could not enter the state temples: those grandiose, overwhelming buildings were not meant to house their religious feelings. Perhaps that is why they had recourse to other, less solemn gods, such as the dwarf god Bes, or Tawert, a strange looking hippopotamus goddess with various parts of other animals in her body. Besides these, they approached some more unassuming variants of the state gods, such as "Horus on the corner of the southern door" (of a state temple in Memphis).
On the other hand, from the later part of the New Kingdom, commoners have left us some intimate and truly touching prayers (see especially AEL-II, 104-110). Remarkably enough, quite a few of these were addressed to "state gods"  such as Amun-Re. Apparently, at least part of the populace could actually relate to these "high" gods - in anticipation it seems, of modern, more personal religions.


Myths
The appearance of myths in ancient Egypt was a relatively late development. Originally, religious feelings were spurred by the perception of huge and tremendous powers inside natural phenomena. Only gradually, these immanent powers  acquired some transcendent features, as a result of which they could move about, and change shape. The different shapes subsequently gave rise to the birth of different myths (Magic 51-55).
Unfortunately, the Egyptians didn't leave us any complete accounts of their myths. With the exception of one late variant of the Osiris-myth (recorded by the Greek author Plutarch), and one rather burlesque story about an aging Re, we have to make do with assorted bits and pieces, strewn around in funerary literature and magical texts. Some of the more explicit and unambiguous references to myths come from vignettes in the Book of the Dead and other funerary texts, such as the tableau of Nut, Geb and Shu, or that of the sunrise in the eastern sky.
Some myths did have a profound impact on both religion and ritual. Those around Horus and Seth on the one hand, and around Horus and Osiris on the other hand, are present everywhere in the realms of both kingship and funerary practices.

(For a more in-depth treatment of ancient Egyptian religion, see "Magic and Religion in Ancient Egypt. Part I: The Roots.")

Back to: Introduction to ancient Egypt


 

Home

Culture and language

History and Kingship

Religion

Temples, Tombs and Building Techniques

Miscellaneous

Sitemap

 

 

    

All materials on this site are protected by copyright. All copyrights by Sjef Willockx, unless otherwise indicated. Unauthorized use will be prosecuted with all available means. (See also the section on copyright policy).